Seffarine

Seffarine

At a momentous first meeting at a coffee shop in Fez, Moroccan vocalist Lamiae Naki and multi-instrumentalist Nat Hulskamp composed their first song and decided to get married. Brought together by their deep knowledge of the music of both sides of the Straits of Gibraltar — Spanish flamenco and Moroccan Arabic music — they created Seffarine.

Charged with texture and color, Seffarine concerts carry the audience on a vibrant musical journey, channeling the heart-wrenching joy of the music and dance of North Africa and southern Spain to wide acclaim. Described by Bass Player Magazine as a “gorgeous intersection of Spanish flamenco, Arabic and Andalusian music, Persian classical and jazz,” Naki's fluid, riveting vocals entwine elegantly with Nat Hulskamp's expert flamenco guitar and oud. Persian classical master Bobak Salehi's sweeping kamancheh (spike fiddle) and tar (Persian lute) play off bassist Damian Erskine's grooves and the drums and explosive flamenco dance of Manuel Gutierrez. Diving deep into the drama and technical prowess that characterizes these traditions, Seffarine invites listeners to hear with fresh ears the age-old conversation that spanned a sea, reminding us of the connections and histories modern identities disguise.

Seffarine takes its name from the ancient metalworking square in Fez, which is famous for the complex rhythms that ring out from the blacksmiths' hammers, and where Lamiae's family is well known as masters of the tradition. Seffarine's music embraces and extends Morocco's musical collision between Arabic, Iberian and West African cultures, forging vibrant original music deeply rooted in their backgrounds in flamenco guitar, oud and Arab Andalusian music. Nat and Lamiae built an international quintet bringing in all star musicians from Iran, the US and Spain, who infuse the sound with textured instrumentation and inspired improvisation. Sweeping oud (Arabic lute) ornamentation plays off gritty bass grooves and explosive flamenco percussion, with Lamiae's fluidly riveting voice at the center, sending up sheets of cascading Andalusi melodies punctuated by the catchy hooks of North African Chaabi, sung in her native Moroccan Arabic. Their sound has taken them around the world, from touring Indonesia, Australia and Europe to receiving grants to study Ottoman singing in Turkey, to recording with top flamenco musicians in Spain such as Latin Grammy Award winner Antonio Rey.